Philadelphia Art Alliance

The Center for Immersive Media (CIM) at University of the Arts recently produced 360-degree documentation of the Carrie Mae Weems installation, Resist Covid Take 6!—currently on view throughout UArts’ Center City campus—that not only captures the artist’s work but also offers an immersive snapshot of the sights and sounds of Philadelphia amidst the ongoing pandemic.

Each of the components of Weems’ project brings awareness to the disproportionate, deadly impact of COVID-19 on Black, Latinx and Native American communities. This public campaign also emphasizes essential preventative steps including social distancing guidelines, evidenced by the allusion in the project’s title to the recommendation that people stay six feet apart. The works are intentionally installed on the exteriors of various venues where they can be safely viewed by the public. 

To date, Resist Covid Take 6! has been hosted in a number of cities across the U.S., including Atlanta, Chicago, Dallas, Miami, Nashville, New York and Savannah. UArts is the exclusive presenter of this project in Philadelphia, generously supported by the Jessica Hamilton Hardy Visiting Artist Fund. The locations of the specific installations that comprise the Philadelphia iteration—which include elements such as large-format posters, video PSAs, posters and window banners—are indicated on an interactive map that CIM Director Alan Price created utilizing a combination of HTML5, JavaScript, and Google Maps API.

^{Click here to engage with the Resist Covid Take 6 interactive map and 360 virtual experience.}

The map hosts panoramic video clips created at five installation sites using an Insta360 Pro VR camera. The camera creates a full, equirectangular projection image, stitched together from six integrated wide-angle lenses. The videos are compatible with many virtual reality (VR) viewers, including the Google Cardboard viewer, which allows anyone to utilize an Android or IOS device to experience this content in an even more dynamic way. 

The video clips, including one documenting the installation at the Art Alliance, show passersby encountering the project as they journey through the city. The soundtrack of cars and buses rushing by paired with individuals engaging in routine activities like dog walking are not unexpected scenes to encounter in a typical city on a sunny afternoon; however, the appearance of masks worn by the majority of those on the streets serves as an indicator of the impact of the virus on everyday life.

According to Price, “The primary goal of documenting Resist Covid Take 6! with immersive media technology is to capture the experience of being there, in the public spaces in which each of the works are installed.” Regarding how this work ties into the larger mission of CIM, Price explains, “The Center for Immersive Media is a resource and creative research proving ground where anyone at UArts may discover ways that virtual and mixed reality, performance motion-capture and human-computer interaction can augment or facilitate the work that they do. This documentation project is just one example of potentially unique ways to document public works.”

CIM’s VR documentation is a fitting accompaniment to Resist Covid Take 6!. This way of interacting with the installations reinforces Weems’ message by making the project—and by extension, the city—accessible in a safe yet engaging way that brings new dimension to the virtual viewing experience. 

Immerse yourself in the Resist Covid Take 6! 360-degree experience.

Read more about Resist Covid Take 6! in Forbes.

Engage your students with this social impact project by artist Carrie Mae Weems through lesson plans and teaching resources. Develop a social impact campaign and create supporting materials like a cover story, poster design and hand fan. High school students may even use their poster design as a portfolio piece.

Conceived by Carrie Mae Weems and Pierre Loving, Resist Covid Take 6! is an artist-driven public awareness campaign that aims to educate and enlighten Black, Brown, Latinx and Native American communities about the impact of COVID-19 on their lives. UArts is the exclusive presenter of Weems’ project in Philadelphia.

The much-anticipated Invisible City catalog its here!  

Purchase Now

Invisible City: Philadelphia and the Vernacular Avant-garde is the first book to examine Philadelphia's cultural impact from the 1950s to the Bicentennial. As an interdisciplinary exploration, Invisible City highlights Philadelphia's unique contributions to visual, literary, and musical culture featuring significant architects, photographers, sculptors, designers, craftsmen, writers, musicians, painters and conceptual artists.

The vernacular avant-garde reflects the everyday. From Duchamp's ready-mades to the aesthetics of Main Street, from American Bandstand to Andy Warhol's inaugural museum exhibit, from Robert Smithson's earthwork to Robert Venturi's Guild House, Philadelphia was a city of firsts. As a gritty postindustrial metropolis built of brick and Wissahickon schist, it was central to the concepts of postmodernism through insights on the social landscape, urban graffiti and underground theater. The city produced the earliest Pop Art exhibitions, influential popular music, the country’s premier rock music magazine, substantial art schools, progressive curators and the Institute of Contemporary Art.

These ideas are thoroughly illuminated in nine essays by Rachel Churner, Jennie Hirsh, Sid Sachs, John Szwed, and Anne Wilke Tucker, augmented with interviews and writings by Willoughby Sharp, Mierle Laderman Ukeles, Robert Venturi, and Progressive Architecture. Beautifully designed by Studio LHOOQ, this 304-page catalog is illustrated with 210 images and published by The University of the Arts with funding by the Pew Center for Arts & Heritage.

Published on the occasion of the exhibition Invisible City: Philadelphia and the Vernacular Avant-garde, January 21–April 4, 2020

Invisible City: Philadelphia and the Vernacular Avant-garde is supported by The Pew Center for Arts & Heritage

Published by:
University of the Arts
320 S Broad St
Philadelphia, PA 19102

© University of the Arts, all rights reserved

Edited by Sheryl Conkelton
Designed by Mỹ Linh Triệu Nguyễn, Studio LHOOQ

Printed by Point B Solutions, Minneapolis with Longo, Bolzano

USD: $40

Conceived by Carrie Mae Weems and Pierre Loving, Resist Covid Take 6! aims to create an artist-driven public awareness campaign to educate and enlighten Black, Latinx and Native American communities about the impact of COVID-19 on their lives. This awareness campaign will use creative measures and projects to emphasize preventative steps that must be taken to ensure these community members’ safety and reinforce the absolute necessity of social distancing.

UArts is the exclusive presenter of Weems’ project in Philadelphia, where billboards, creative messaging and public art will be installed around Center City to highlight the virus’ staggering death toll. Phase 1 of the project at UArts is generously supported by the Jessica Hamilton Hardy Visiting Artist Fund. 

University of the Arts is actively seeking Philadelphia-area partners to expand the scope of Resist Covid Take 6! in Phase 2. To learn more about partnership opportunities, contact Shelton Walker, chief of staff and associate VP for strategic initiatives, at shwalker@uarts.edu.

In conjunction with University of the Arts’ exhibition Invisible City: Philadelphia and the Vernacular Avant-garde curated by Sid Sachs with Jennie Hirsh, Alex Da Corte and Kate Watson-Wallace will reinvent Kaprow's Chicken in the same location it was originally performed, now known as the Gershman Hall of University of the Arts. 

Chicken variously dramatizes, commodifies and deconstructs the trope of the chicken. In 1962, the work was staged on ad-hoc wooden stands and booths with “pitchmen” plucking real chicken feathers, live chickens being vacuumed, people behaving like chickens, records with chicken sounds and so on. In 2020, Chicken no longer promises the "new vocabulary" it once did. Rather, Da Corte will stage a progressive, animal-friendly reconsideration of what the “avant-carnival” originally considered itself to be.    

Chicken will feature Kristel Baldoz, Melanie Cotton, Danielle Currica, Julia Eichten, Jessica Emmanuel, Ya-Ya Fairley, Ann-Marie Gover, Imma, Andrew Smith, Kim Thompson, and Wilmer Wilson along with Kate Watson-Wallace and Alex Da Corte; with music composed by Marco Buccelli and Xenia Rubinos, performed with Sunny Ali and Karna Ray.

Chicken features a newly commissioned text by Rosalyn Drexler. 

Read the reviews:

Surface Magazine

Interview Magazine

Thinking Dance

Support for the Invisible City Symposium and Chicken has been provided by the Edna W. Andrade Fund of the Philadelphia Foundation. Support for the research, development and presentation of Invisible City has been provided by The Pew Center for Arts & Heritage.

Image credit: Photo by Wang Shui, Courtesy of the artist, University of the Arts and Sadie Coles HQ

Notes on the School for Temporary Liveness is out now. This publication includes contributions by Lauren Bakst, Jon Baldwin, Donna Faye Burchfield, Thomas F. DeFrantz, VK Preston, Rebecca Schneider, Andrew J. Smyth and Connie Yu. Their reflections offer glimmers of what the School for Temporary Liveness was, and have embedded within them tools and inquiries for ongoing collective study.

View the publication online here or email lbakst@uarts.edu to order yours in print for $10.

Invisible City: Philadelphia and the Vernacular Avant-garde highlights Philadelphia’s significant contributions to visual, literary, and musical culture between 1956 and 1976. An interdisciplinary exploration that is centered at University of the Arts, Invisible City features key works by the period’s major architects, photographers, sculptors, designers, painters and conceptual artists. The exhibition is organized by University of the Arts and curated by Sid Sachs, chief curator and director of exhibitions at University of the Arts with Jennie Hirsh, assistant curator, professor of Modern and Contemporary Art at MICA. Support for the research, development, and presentation of Invisible City has been provided by The Pew Center for Arts & Heritage.

Read the reviews:

The Inquirer

The Broadstreet Review

The Architects' Newspaper.

The Artblog

Invisible City: Philadelphia and the Vernacular Avant-garde highlighted Philadelphia’s significant contributions to visual, literary, and musical culture between 1956 and 1976. An interdisciplinary exploration that was centered at University of the Arts, Invisible City features key works by the period’s major architects, photographers, sculptors, designers, painters and conceptual artists. The exhibition was organized by University of the Arts and curated by Sid Sachs, chief curator and director of exhibitions at University of the Arts with Jennie Hirsh, assistant curator, professor of Modern and Contemporary Art at MICA. Support for the research, development, and presentation of Invisible City has been provided by The Pew Center for Arts & Heritage.

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For questions or concerns, email rwg@uarts.edu or call 215–717–6480.

Invisible City: Philadelphia and the Vernacular Avant-garde has been supported by The Pew Center for Arts & Heritage.

Leading century-old cultural institutions to join together, creating Philadelphia Art Alliance at the University of the Arts

The boards of trustees of the University of the Arts and Philadelphia Art Alliance announced that the two century-old institutions will join together. The vote of both boards was unanimous.

Under the agreement, the Art Alliance will become part of the University of the Arts, renamed Philadelphia Art Alliance at the University of the Arts, under the executive leadership of UArts President David Yager and the governance of the university's Board of Trustees. The documents to begin the state approval process for mergers of nonprofit organizations were filed on September 8, 2017. That review is expected to take several months.

"This coming together of two of Philadelphia's most historic and innovative arts institutions offers a rare opportunity," said Yager, "to preserve and celebrate that extraordinary history while creating a future that envisions even more exciting possibilities across a wide range of art forms. Bringing together these exceptional educational and exhibition components opens up a myriad of new creative doors."

"We are thrilled that the Art Alliance will continue to be an active part of the future of Philadelphia's cultural life as a result of this  merger with the University of the Arts," said Carole Shanis, chairperson and president emerita of the Art Alliance. "The Art  Alliance has been a multi-disciplinary art center, guided by artists, since it was founded in 1915. While, over the last 10 years,  our focus has been on contemporary craft and design, we welcome the new resources and broader perspective that will come  with this partnership. We are confident that UArts will find creative ways to work with us to expand audiences and programs at the Wetherill Mansion, while furthering its own comprehensive educational mission."

The merging of the two historic organizations—the university celebrated its 140th anniversary this past year and the Art Alliance its 102nd—brings together institutions that have presented or developed some of the most influential and well-known artists of the past century. The two organizations, located just six blocks apart in Center City, are landmarks of their respective Philadelphia neighborhoods.

The University of the Arts' iconic Hamilton Hall, built in 1826, is the oldest existing building on South Broad Street. UArts is one  of the only universities in the country solely dedicated to educating students in the visual and performing arts, design and  writing.

 Since 1915, the Art Alliance has hosted art exhibits, theater and music workshops, poetry readings and recitals by renowned  artists, in the historic 1906 Wetherill Mansion on Rittenhouse Square.

UArts' alumni include renowned celebrity and fashion photographer Irving Penn, Alvin Ailey American Dance Theater artistic director Judith Jamison, and children's book authors Stan and Jan Berenstain, among many others. Since 1915, the Art Alliance has hosted exhibitions by artists such as Mary Cassatt, Andrew Wyeth and Man Ray, readings by e.e. cummings and Dorothy Parker, and performances by Martha Graham and Merce Cunningham.

"At a time when the arts are challenged as never before, this integration offers a wonderful opportunity to develop visionary new arts and educational programming for the Philadelphia region, now and into the future," said UArts Board of Trustees Chairman Jeffrey Lutsky.

What was to become the Philadelphia College of Art (and eventually the University of the Arts), the Pennsylvania Museum and School of Industrial Art, was founded in 1876 by Philadelphia civic leaders, in response to the growing interest in art and design stirred by the country's Centennial Exposition, and as a means to develop world-class artisans and designers in post-Industrial Revolution America. Concurrently, UArts' other predecessor institution, the Philadelphia Musical Academy (which eventually became the Philadelphia College of Performing Arts), opened its doors. Visual arts, performing arts and design joined together a little over a century later, with university status being granted in 1987 as the University of the Arts.

The Philadelphia Art Alliance, the oldest multidisciplinary arts center in the United States for visual, literary and performing arts, was established by philanthropist Christine Wetherill Stevenson in 1915 with the goal of uniting the arts by presenting music, theater, painting and sculpture in a single venue. In 1926, it moved from its temporary quarters on Walnut Street into. Stevenson's family home on Rittenhouse Square. Since its inception, it has been a national pioneer in bringing contemporary artists—many now considered icons—to the public. In its early days, the Art Alliance welcomed them when most museums and other venues chose not to present contemporary works.

Once the integration is approved by the Commonwealth, the university plans to make interior enhancements over the course of the next few years.