To our students, faculty, staff and community members,

I write to you all again with another important update for how University of the Arts is responding to the novel coronavirus, COVID-19. We are amidst a global crisis that continues to impact our lives in unprecedented ways. Last night, Pennsylvania Governor Tom Wolf strengthened his order for all non-life-sustaining businesses in the state to close their physical locations. In compliance with this new order from the governor, University of the Arts will implement a stricter enforcement around the University’s remote operations guidelines.

To continue to protect the safety and health of both the university and larger community, we will take the following actions:

• All in-person class meetings at University of the Arts will be suspended for the spring semester and replaced by alternate modes of remote learning. Faculty and students should plan to complete and assess all assignments, projects, final showings and work of any description through online, virtual and/or alternate remote modes of learning and evaluation. Faculty will continue to communicate with their students how course schedules, assignments and expectations will change for the remainder of the semester. Please carefully monitor your UArts email to stay informed of course expectations.
• All in-person campus events and programs will be suspended through the end of the semester. In light of the recent CDC guidance to reduce community spread of the novel coronavirus, all in-person UArts events and programs will be postponed, canceled or moved to a virtual format. This includes Commencement. Planning for how we will hold commencement is now underway, and will be shared at a later date.  
• Effective Immediately, all residence halls will close for the remainder of the spring semester, remaining available only to those residents from Level 2 and 3 countries and those with housing insecurities who truly have no alternative. Residential students who are currently out of town should not return to campus for the spring semester. When it is safe and feasible to do so, we will announce plans for residential students to return to collect their belongings. Residents’ belongings will be stored in their room, just as they are during the five week Winter Break session. A separate email will be sent to all residential students with information shortly. Any residential student facing extraordinary hardship who absolutely cannot return home will be supported. Please contact reslife@uarts.edu.
• Campus-wide remote working remains in effect until further notice. We are currently requiring that University faculty and staff – whose positions enable them to do so and who have the approval of their supervisors – work remotely so we can do our part to optimize social distancing recommendations. We will continue to monitor the situation and update this time frame accordingly to the guidance of the CDC, local government and public health organizations.
• All university buildings will be closed to students and non-essential faculty and staff until further notice. As such, only staff specifically designated by a vice president will continue to have any on-campus presence.

Looking Ahead:

Please know these decisions have not been made lightly. We recognize that extending alternate modes of instruction for the spring semester comes with realities of canceled events, showings, performances and informal gatherings, meet-ups, and café conversations that are heartbreaking for all of us, but none more so than our students. While we work together to establish the magic of the UArts community in alternate modes of engagement, we too mourn the loss of what must be suspended for the semester.

Despite the uncertainty of our times, I am overwhelmed by the ethic of care I have witnessed from our community. Faculty and staff continue to work tirelessly to prepare and support our students through this time. And our students and families are radically shifting their learning and residential environments with grace and understanding. I could not be more proud of how we as a community are responding to the challenges, and know that our actions will help the collective efforts across the globe to “flatten the curve” and preserve life.

As we look ahead, I return to my prior invitation:

How can you, a community of creatives, establish a virtual environment like no other? What opportunities exist online and through alternate modes of engagement – including the analog - that may not have existed in your classroom? Rather than seeing the limits of what we cannot do, I challenge you – what are the possibilities that we haven’t even considered yet? And what can you do from where you sit as a student, faculty or staff member, to engage as a member of our community and help others to thrive during this time?

I remain confident that with our collective efforts, we will emerge from this and our community will be stronger than before.

A reminder to please bookmark and return to the website we have established, uarts.edu/covid19, for important resources and FAQs. We are continually updating this website throughout the outbreak. 

To each of you, and your families – please adhere to the social distancing and health practices that the government is requiring of us. Stay safe, and stay healthy, and we look forward to welcoming you back to campus as soon as we are able.

Sincerely, 

David Yager
President & CEO

The UArts Cares Fund was established to ensure that the most vulnerable members of our student community have access to nutrition, housing, transportation and the supplies necessary to succeed at UArts. 

UArts Cares has worked with partners across campus to open a food pantry and provide grocery store gift cards, provide SEPTA passes, offer academic and art supplies, and give emergency monetary grants and housing assistance.  

Now, amid the COVID-19 pandemic, many students are facing immediate hardship, including housing insecurity, food insecurity and/or a significant loss of income that could impact their ability to successfully complete the spring 2020 semester.

In response to immediate student need, the UArts Cares Fund has expanded its mission to include those hit the hardest by COVID-19. To support our most vulnerable students, the University is expanding the UArts Cares Fund to include newly created scholarships, work-study replacement funding, and specific impact grants to both current and incoming students. Any UArts student facing hardship can apply for support through an online application.

Make a gift to help vulnerable students now.

I would be overwhelmed without this support. I am extremely grateful for all the assistance that UArts Cares has provided me. Thank you so very much! 

-Anonymous Illustration Student 

Philadelphia has always been a city of innovators, and the postwar climate of the 1950s through the ’70s brought change to the art community that fostered the creation of postmodernism. It was also a time when art institutions were built throughout the city, giving artists room to experiment through cutting-edge art education that placed them in conversations with artists around the world. Invisible City: Philadelphia and the Vernacular Avant-garde celebrates how the art community that thrives today was facilitated by museums, universities, theaters and individual artists that continue to innovate our culture. 

Invisible City—curated by Sid Sachs, director of exhibitions for UArts’ Rosenwald-Wolf Gallery, with Jennie Hirsh, professor of modern and contemporary art at Maryland Institute College of Art, and funded by a Pew Center for Arts & Heritage Discovery grant—pays homage to Philadelphia’s avant-garde community through performances, exhibits and a digital archive. The project will open Jan. 30 across three venues––Gershman Hall, the Philadelphia Art Alliance and Rosenwald-Wolf Gallery––as well as at the Pennsylvania Academy of the Fine Arts.

Also on Jan. 30, the Art Alliance will host Music of Philadelphia’s Masters: Persichetti, Rochberg and Crumb, which features flutist Sue Ann Kahn, cellist Christopher Finckel and pianist Andrew Willis––three of Philadelphia’s major composers. Later in the spring, Alex Da Corte BFA ’04 (Printmaking & Book Arts) will also reinvent Allan Kaprow’s 1962 performance art piece, Chicken, in Gershman Hall, where it was originally performed. 

The digital component of the project includes an online archive of interviews, pictures and videos from 1950 to 1977 that highlight significant achievements in the Philadelphia art scene. Visitors can search the curated timeline by categories such as literature, music, film and painting to gain a greater understanding of their development over time. Additionally, clickable “arcs” explain the associations between cultural milestones. The site also features interviews with significant avant-garde artists, such as Denise Scott Brown, Ruth Fine, Jim McWilliams and myriad others. 

Events throughout 2020 will showcase writers, photographers, architects and other artists who were instrumental in forming the city’s postmodern art landscape. 

Learn more about Invisible City. 

On Wednesday evening, Nov. 20, UArts faculty, staff, students, administrators and honored guests gathered to celebrate the grand opening of the Center for Immersive Media (CIM) in Juniper Hall. The opening of this state-of-the-art facility marks the culmination of a year-long renovation project, announced in summer 2018.

The grand opening celebration included remarks from UArts President and CEO David Yager  and CIM Director Alan Price, as well as live, hands-on demonstrations of VR, motion capture and various immersive sensory experiences. Remarks were followed by a ribbon-cutting and exclusive preview performance of “Infinitely Yours” by Miwa Matreyek, the center’s first fellow. She will join University of the Arts in the spring 2020 semester, leading a course in CIM that will focus on interdisciplinary collaboration, called Projection, Body and Storytelling. 

Adjunct assistant professor, master sound engineer and CIM’s first faculty grantee, JohnPaul Beattie BA ’10 (Composition), will also lead a course in CIM in spring 2020, titled Spatial Audio Composition. Beattie has received a microgrant to pursue research that will synchronize spatial audio with immersive lighting design and explore the interconnectedness of our eyes and ears.

We believe artists and creatives are uniquely positioned to help us understand the enormous impact technology is having on our lives.  -President Yager

CIM at University of the Arts is a place where students and faculty can explore the opportunities and implications of what it means to be immersed in data, simulations, stories, performances and digital communities. The 5,600-square-foot facility is dedicated to exploring the fields of virtual and mixed reality, performance motion-capture, and human-computer interaction through collaboration across visual and performing arts disciplines.

“CIM demonstrates our commitment to advancing human creativity in a changing world,” Yager says. “We believe artists and creatives are uniquely positioned to help us understand the enormous impact technology is having on our lives, and the center will afford a fantastic opportunity for experimentation and exploration at the intersection of the arts, design, science and medicine.”

Learn more about the Center for Immersive Media.

On Tuesday, Dec. 10, it was announced that Film Program Director and Assistant Professor Mike Attie’s short documentary Abortion Helpline, This is Lisa has been selected for inclusion in the 2020 Sundance Film Festival. Attie’s film was chosen from over 10,000 submissions and will screen in Park City, Salt Lake City and Sundance Mountain Resort from Jan. 23 to Feb. 2, 2020. 

“I was quite surprised by the news, as we really just submitted on a lark,” says Attie, who co-directed the piece with filmmakers Barbara Attie and Janet Goldwater. The film screened at the Guttmacher Institute in New York and was an official selection of the Philadelphia Film Festival in October, as well as being included in DOC NYC’s Shorts: Ways of Seeing in November.

Abortion Helpline, This is Lisa follows the work of the Philadelphia abortion hotline phone counselors—all called Lisa—who arrive each morning to seemingly endless calls from people who are seeking to terminate pregnancies and can’t afford to. Counselors struggle to stretch available funds, raised from private donations, often having to work with a dangerous matter of timing. Attie’s film aims to give a voice to women and teens impacted by economic stigma and discrimatory policies like the Hyde Amendment, enacted in 1976 with the adverse effect of denying poor individuals access to abortion.

“Independent artists create and enrich global culture. This year’s festival is full of films that showcase myriad ways for stories to drive change, across hearts, minds and societies,” said Sundance Institute’s president and founder Robert Redford in the festival’s Dec. 4 feature film announcement.

The festival—Sundance Institute’s flagship public program—is widely regarded as the largest independent film festival in the U.S., attracting over 120,000 attendees and 1,300 accredited members of the press. Attie will be attending the festival’s annual director orientation and celebration in New York with UArts grad Caitlin Riggsbee BFA ’17 (Film & Video).

“There was a lot of UArts in this piece,” says Attie. Two of his former students, Riggsbee and Courtney Kehr BFA ’19 (Film & Video), worked as sound recordists, and a future part-time faculty member will be doing the score and mixing sound. Attie hopes to continue these collaborative partnerships for the film, hinting at a possible collaboration with UArts’ Graphic Design department on poster design.

He added, “My hope is that this is just the beginning of the life cycle of this film!”

See the full list of short films.

Learn more about the Film program at UArts.

 

*Photo courtesy of Sundance Institute

BEIJING – On Friday, August 30, 2019 the Special Exhibition of the United States at the 8th Beijing International Art Biennale officially opened at the National Art Museum of China in Beijing, curated by University of the Arts. 

UArts President and CEO David Yager and Vice President Rick Longo served as curators for the special exhibition, the sole representative of the United States at the major international art event.

Hundreds gathered for the private opening of the Biennale, and and more than a million visitors were expected to attend over the event's 20-day run. 

“It is a great honor for the University of the Arts to be selected to curate the United States pavilion at this global art exhibition,” said Yager. “It’s also an exceptional opportunity to showcase the extraordinary artist/educators from the University of the Arts, and the university’s history of developing creative leaders for over a century.” 

President Yager was interviewed on several national television networks in China, including Beijing TV and China Central TV (CCTV), which together reach more than 500 million viewers across China.

Since its inception in 2002, the Beijing International Art Biennale has featured more than 4,000 artists from over 100 countries. 

The American Special Exhibition showcased UArts’ 142-year legacy of arts leadership and spotlighted the University’s mission of advancing human creativity. Twenty-one artworks by 10 teaching artists and alumni of the University were presented. The artworks spoke to the unique culture of creativity education that the University instills in its students. Teaching artists and alumni included:

• Mark Campbell ‘74
• Daniel Clayman 
• Matt Curtius and Gina Triplett
• Shawn Faust ‘18
• Laura Frazure ‘86
• Michael Grothusen 
• Mi-Kyoung Lee ‘96
• Alan Price 
• Rebecca Sack
• Loveis Wise ‘18

Watch President Yager's interview with Beijing TV here.