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Two Black hands reaching towards one another against a landscape with trees, rocks and water

Naomieh Jovin: Lover’s Hands, Devil’s Pool

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Oct 27-Dec 9, 2023

Opening Reception Friday, Oct 27, 5-7:30pm*

Rosenwald-Wolf Gallery

 

*5–6pm Portrait session by Naomieh Jovin within the installation (First come, first served)

The Rosenwald-Wolf Gallery of University of the Arts is pleased to present the first solo exhibition of the work of Naomieh Jovin, curated by Nicole Pollard. In a quest to understand the link between family trauma, spirituality and inheritance, Naomieh Jovin’s works incorporate found images, original photography and installations with found objects. In her photographs, Jovin incorporates family stories of intuition and premonition that speak to the ways in which both spirituality and trauma are held within our bodies and passed down generationally.

The exhibition highlights Jovin’s connection to both Haitian Vodou and Christianity, two spiritual practices that have been historically blended in Haiti due to colonization and the protective need to hide diasporic spiritual practices behind Catholicism. Vodou is defined as a sacred dance with the ancestors that manifests ancestral and divine energy within oneself by working its way through one’s flesh.

Building on themes of her past work, Jovin seeks to create new pathways for unlearning harmful stereotypes about Black people, and translating the trauma within immigrant families into power through storytelling and photographic imagery. With this practice her hope is to expand her personal narrative beyond the singular perspectives of her family’s gatekeepers of information as well as the larger xenophobic narratives surrounding Haitian people. The visual and cathartic exploration this exhibition provides for Jovin speaks to the general experiences of first-generation Americans, specifically of African and/or Caribbean descent.

This exhibition is supported by the Edna W. Andrade Fund of the Philadelphia Foundation, University of the Arts and Magnum Foundation.


About the Artist
 

Naomieh received her BFA in Photography and Digital Arts from Moore College of Art and Design. She was selected as a Lens Culture 2021 Critic's Choice winner, and she was recently named a 2021 PEW Fellow in the Arts. Her work has been featured in The Nation, Vogue and Buzzfeed. She has photographed for The New York Times and Vogue Italia. 

Naomieh was an inaugural UArts iLAB Artist-in-Residence in 2022-23, and has been featured in Here & There: Alumni Invitational Exhibition at The Galleries at Moore in 2021, Photo Arts Center's 2020-21 artist residency program, Mural Art's inaugural Philadelphia Fellowship for Black Artists, and In Conversation: Visual Meditations on Black Masculinity exhibition at The African American Museum in Philadelphia in 2019. 

 

Important Dates
 

-Opening Reception: Friday, October 27th from 5–7:30 pm
 5–6pm Portrait session by Naomieh Jovin within the installation (First come, first served)

-Portrait session by Naomieh Jovin: Saturday, November 18th, 12–1:30pm  CANCELLED

-Portrait session by Naomieh Jovin: Saturday, December 9th, 1–2:30pm

 

Images
Installation view of vinyl mage of a Black person's hand releasing game pieces against an image oof a construction site

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 


 

Installation view of two vinyl images dipictinig figures and people, displayed against a white wall

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of vinyl image depicting two Black people in motion, nude in a room in a house

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of a large vinyl mural depicting two Black hands reaching towards one another, displayed next to a vinyl printed portrait of a Black woman

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of a vinyl image of a Black woman framed by a gold mirror

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of gallery with various curtains in the background and human-shaped cut-outs covered in bright paper in the foreground

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of a vinyl image showing a Black person in white gloves and a white dress holding adorned cross-like object

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of gallery with vinyl images displayed against white walls

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of gallery with vinyl images displayed and a large vinyl mural in side background

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of gallery walls with large vinyl mural to left and two vinyl images on white wall to right

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of gallery with vinyl image on left wall and an aged metal gate on wall in background

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of metal old gate door hanging against a white wall

Naomieh Jovin: Lover’s Hands, Devil’s Pool (Installation view). Photo: Neighboring States. 

Installation view of vinyl mage of a Black person's hand releasing game pieces against an image oof a construction site
Installation view of two vinyl images dipictinig figures and people, displayed against a white wall
Installation view of vinyl image depicting two Black people in motion, nude in a room in a house
Installation view of a large vinyl mural depicting two Black hands reaching towards one another, displayed next to a vinyl printed portrait of a Black woman
Installation view of a vinyl image of a Black woman framed by a gold mirror
Installation view of gallery with various curtains in the background and human-shaped cut-outs covered in bright paper in the foreground
Installation view of a vinyl image showing a Black person in white gloves and a white dress holding adorned cross-like object
Installation view of gallery with vinyl images displayed against white walls
Installation view of gallery with vinyl images displayed and a large vinyl mural in side background
Installation view of gallery walls with large vinyl mural to left and two vinyl images on white wall to right
Installation view of gallery with vinyl image on left wall and an aged metal gate on wall in background
Installation view of metal old gate door hanging against a white wall

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