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Alex Da Corte: The Street

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Jan. 13–March 16, 2023

 

Rosenwald-Wolf Gallery at University of the Arts is pleased to present Alex Da Corte’s The Street. This complex installation comprises a suite of Da Corte’s recent large-scale reverse-glass paintings, shown for the first time, hung against a background mural of his own design in an environment including masonry columns, neon and placards.

The Street references Venturi, Scott Brown’s Main Street and  the vernacular vocabulary of popular culture culled from the internet, Philadelphia, animation cels, Pop Art in general and the American artist Marjorie Strider in particular, the paintings of Andrew Gbur BFA ’07 (Painting and Drawing), book cover and record design, Disney’s Snow White, James Rosenquist’s F-111, Sesame Street, avant-garde swimwear designer Rudi Gernreich, Marilyn Monroe, Sister Corita Kent, the Mexican version of Ernie Bushmiller’s comic-strip scamp Nancy known as Periquita, Ed Ruscha, R. L. Stine’s Fear Street series of YA horror novels, an obscure wall-mural advertisement in south Jersey, Langston Hughes and Donald Barthelme, Milton Glaser, manuals for making windows, and an early work by UArts professor Edna Andrade. In total, the project deals with the appropriation and mirroring of popular culture, anamorphic distortion, cultural memory and personal reflection. On the street, disorder is an order we cannot see. On the street, everyone is a voyeur.

Rosenwald-Wolf Gallery thanks the Philadelphia Mural Arts Program for its assistance in this exhibition. Da Corte is represented by Matthew Marks Gallery, New York and Los Angeles, and Sadie Coles HQ, London.

All Rosenwald-Wolf Gallery exhibitions are free and open to the public.

Installation image of The Street with bright mural walls, bricks, and large paintings

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

installation image of The Street with signs leaning on wall, large numerals on wall and framed black and white painting

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with bright signs leaning against wall with mural

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of two large paintings on mural wall with signs leaning in background

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with brick column, mural with numbers and large black and white painting

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of two large paintings against walls with murals

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of the Street with murals, large paintings and bricks

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of the Street with two large paintings on adjoining walls against bright mural background

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with two large paintings displayed against brightly colored mural walls

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with murals, large paintings, brick columns and neon ivy lights

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of two large paintings on adjoining wall with bright mural background

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of large painting, murals and bright signs leaning against wall

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with brightly painted murals on walls and signs leaning against the wall

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with brightly colored signs leaning against a mural wall of light green and black

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of brightly colored gallery and blurry figure to the side

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street showing murals, paintings, signs, brick columns and neon light

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of large painting on far wall and brick column and signs in foreground

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street showing brick columns with signs and neon vines across from a large painting

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with large painting of Marilyn Monroe in background, brick column with neon in foreground

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with large paintings, bright murals and a brick column

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street showing large blue painting against mural and a brick column

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of long painting depicting lamps against black background

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street showing three large paintings against walls with murals

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of large Marilyn Monroe painting next to a painting with cels and colors

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with long painting to left, painting in background and neon vines on column to right

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street with a sliver of Marilyn Monroe painting visible between blue wall and brick column

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of three large paintings on three different walls/visual plains

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation view of The Street showing a large painting of spinning objects, murals and bricks

Credits: Photograph by Natalie Piserchio, © Alex Da Corte, courtesy Sadie Coles HQ, London, and Matthew Marks Gallery, New York and Los Angeles.

Installation image of The Street with bright mural walls, bricks, and large paintings
installation image of The Street with signs leaning on wall, large numerals on wall and framed black and white painting
Installation view of The Street with bright signs leaning against wall with mural
Installation view of two large paintings on mural wall with signs leaning in background
Installation view of The Street with brick column, mural with numbers and large black and white painting
Installation view of two large paintings against walls with murals
Installation view of the Street with murals, large paintings and bricks
Installation view of the Street with two large paintings on adjoining walls against bright mural background
Installation view of The Street with two large paintings displayed against brightly colored mural walls
Installation view of The Street with murals, large paintings, brick columns and neon ivy lights
Installation view of two large paintings on adjoining wall with bright mural background
Installation view of large painting, murals and bright signs leaning against wall
Installation view of The Street with brightly painted murals on walls and signs leaning against the wall
Installation view of The Street with brightly colored signs leaning against a mural wall of light green and black
Installation view of brightly colored gallery and blurry figure to the side
Installation view of The Street showing murals, paintings, signs, brick columns and neon light
Installation view of large painting on far wall and brick column and signs in foreground
Installation view of The Street showing brick columns with signs and neon vines across from a large painting
Installation view of The Street with large painting of Marilyn Monroe in background, brick column with neon in foreground
Installation view of The Street with large paintings, bright murals and a brick column
Installation view of The Street showing large blue painting against mural and a brick column
Installation view of long painting depicting lamps against black background
Installation view of The Street showing three large paintings against walls with murals
Installation view of large Marilyn Monroe painting next to a painting with cels and colors
Installation view of The Street with long painting to left, painting in background and neon vines on column to right
Installation view of The Street with a sliver of Marilyn Monroe painting visible between blue wall and brick column
Installation view of three large paintings on three different walls/visual plains
Installation view of The Street showing a large painting of spinning objects, murals and bricks

About the Artist

 

Born in 1980 in Camden, New Jersey, Da Corte is well known to the University of the Arts and Philadelphia communities. A 2004 alum of the university, Da Corte received his MFA from Yale University in 2010. He was last seen at UArts on March 5, 2020, when he re-envisioned Allan Kaprow’s Chicken in the Student Center, formerly known as Gershman Hall. 

Da Corte’s work has been widely shown nationally and internationally. Institutional exhibition highlights include the Whitney Biennial, Whitney Museum of American Art, New York (2022); the Biennale di Venezia, Venice (2019); the 57th Carnegie International, Pittsburgh (2019); the Biennale de Lyon (2015), and solo exhibitions at the Metropolitan Museum of Art, New York (2021); Kölnischer Kunstverein, Cologne (2018); Secession, Vienna (2016); Art + Practice, Hammer Museum, Los Angeles (2016); MASS MoCA, North Adams, Massachusetts (2016); the Museum Boijmans van Beuningen, Rotterdam (2015); and the Institute of Contemporary Art, Philadelphia (2014, together with fellow UArts alum Jayson Musson). Da Corte lives and works in Philadelphia.

Da Corte’s works are in public collections including The Whitney Museum of American Art and the Solomon R. Guggenheim Museum, New York; the Philadelphia Museum of Art; the Hammer Museum, Los Angeles; Glenstone, Potomac, Maryland; the Louisiana Museum of Modern Art, Humlebæk, Denmark; Musée d’Art Contemporain de Lyon, France; Fondazione Prada, Milan, Italy; Aïshti Foundation, Jal El Dib, Lebanon; and the Moderna Museet, Stockholm, Sweden. His 20-year survey exhibition, Mr. Remember, runs until January 8, 2023 at the Louisiana Museum of Modern Art.

Additionally, Da Corte is currently participating in Entre/Between, a monumental group exhibition about liminality and Latinx identity at the Crystal Bridges Museum of American Art and the Momentary, Bentonville, Arkansas. Da Corte was awarded a Pew Fellowship in the Arts from the Pew Center for Arts & Heritage in 2012, and he was awarded a Silver Star Alumni Award from UArts in 2020. Da Corte is a recipient of the 2022–2023 Rome Prize.

Events

 

Opening Reception

Friday, Jan. 13, 5-7:30pm
Rosenwald-Wolf Gallery
Anderson Building
333 S. Broad St.
Philadelphia, PA 19102

Join us for the opening reception of The Street.
 

Artist Lecture

Wednesday, Feb. 1 at 7 p.m.
Levitt Auditorium
Student Center
401 S. Broad St.
Philadelphia, PA 19102 

Join Alex Da Corte for a presentation about his current exhibition, The Street.  Free and open to the public but registration is required.
 

Film Screening

Tuesday, Feb. 7 at 7p.m.
Lightbox Film Center
401 S. Broad St.
Philadelphia, PA 19102 

Join Alex Da Corte at Lightbox Film Center for an evening of films curated by the artist, including a selection of his own video works.

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215-717-6000

320 S. Broad St.
Philadelphia, PA 19102

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