Expanded Drawing & Print Media (BFA)
Drawing and print media provide versatile strategies for experimentation in mark, space and idea. In the University of the Arts’ Expanded Drawing + Print Media program, you will develop a studio practice that pushes the boundaries of traditional classifications and broadens your ways of seeing, making mark and creating experiences.
Students will explore the vast range of mark-making potential, both on paper and beyond paper, that “drawing” materials and print techniques have to offer. You’ll explore time-based works, site-specific works, and text and image work.
An intense and immersive studio experience is coupled with inspiration from world-class art museums in the city and exposure to a wide range of visiting artists and critics.
















Alex Da Corte BFA ’04 (Book Arts + Printmaking), widely recognized as a rising star in the art world, has been selected to participate in the 2019 edition of the prestigious Venice Biennale.
The theme of the world’s oldest biennial is "May You Live in Interesting Times," curated by Ralph Rugoff, director of the Hayward Gallery in London. It will feature work from 91 countries in the historic Pavilions at the Giardini, at the Arsenale and in the historic city center of Venice. Five countries will be participating for the first time: Algeria, Ghana, Madagascar, Malaysia and Pakistan.
Da Corte is a conceptual artist who works in painting, sculpture, installation, and video. He uses surreal imagery and everyday objects in his practice and explores ideas of consumerism, pop culture, mythology, and literature. His work often involves bright colors and crisp advertising imagery, and cameos by pop-culture figures like a fake version of Eminem played by the artist himself. His exhibitions have been staged in top New York galleries and museums across the globe.
Da Corte has worked on a number of collaborative projects with other visual artists, writers, and musicians including fellow UArts alum Jayson Musson BFA ’02 (Photography).
This year’s Venice Biennale, according to its curator, Rugoff, "will no doubt include works that reflect upon precarious aspects of today’s existence, including different threats to key traditions, institutions and relationships of the 'post-war order.' But let us acknowledge at the outset that art does not exercise its forces in the domain of politics."
Rugoff also says the exhibition will be immersive and interactive, "engaging visitors in a series of encounters that are essentially playful, taking into account that it is when we play that we are most fully 'human.'"
















































Alex Da Corte is widely recognized as a rising star in the art world. His first survey exhibition, Free Roses, was held at MASS MoCA in Massachusetts in 2016, and which The New York Times called "the most ambitious show of his career."
Working as an “anthropologist of the immediate past,” Alex creates sculpture with the colorful artifacts of turn-of-the-21st-century consumer culture. His reworked everyday objects take on an otherworldly quality in his constructed environments, videos and digitally collaged images, or as material, in the case of his shampoo paintings. “I don’t think of sculpture as static, as dead objects," he says. "I think of them as tracing an action. “Sculpture is the unraveling of a familiar object.” His work often involves bright colors and crisp advertising imagery, and cameos by pop-culture figures like a fake version of Eminem played by the artist himself.
Alex's work was also included in the group exhibition "Dreamlands: Immersive Cinema and Art, 1905–2016" at the Whitney Museum of American Art, New York. Past group exhibitions include the Louisiana Museum of Modern Art, Humlebæk, Denmark; the 13th Biennale de Lyon, Lyon, France among many others. In 2012, Da Corte was awarded a Pew Fellowship in the Arts from the Pew Center for Arts & Heritage. In March 2019, Da Corte was included in the 2019 Venice Biennale Artist List (ArtNews).
About the CurriculumThe curriculum of the Fine Arts Major with an emphasis in Expanded Drawing + Print Media is based on a framework of research, studio experimentation, artistic invention and daily practice. Personal vision and artistic innovation anchor the development of work for significant cultural contributions and dialogue, gallery and museum exhibitions, and creating work for diverse communities and public spaces. To that end, you will be given assignments designed to develop conceptual skills and become proficient in the necessary processes and techniques appropriate for your artistic vision and intention. Students who complete the Fine Arts Major with an emphasis in Expanded Drawing + Print Media will
Sample Courses in the Fine Arts Major with an emphasis in Expanded Drawing and Print Media |
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Each academic year, the Fine Arts program at University of the Arts hosts innovative, dynamic artists whose work inspires and educates the entire UArts community. Spring 2019’s roster features Catherine Bebout, Mark Campbell, Mary Mattingly and Carrie Moyer.
Learn more about this semester’s visiting artists.
View a list of past Fine Arts visiting artists.
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