
Theater - Musical Theater (BFA)
The Musical Theater Bachelor of Fine Arts (BFA) degree program at University of the Arts in Philadelphia embraces the richness and diversity of this evolving, challenging, interdisciplinary art form that includes new and alternative forms of musical theater. You’ll get the same acting technique training as students in the Acting bachelor’s degree program in their first five semesters, and you’ll learn vocal technique, musicianship, dance, movement and musical theater performance techniques. You’ll graduate a creative, innovative, masterfully skilled artist, ready to perform, make, teach or continue studying.
As part of the Ira Brind School of Theater Arts community, you’ll study on Philadelphia’s famed Avenue of the Arts, home to the Kimmel Center for the Performing Arts, the Academy of Music, the Wilma Theater, the Suzanne Roberts Theatre and the Merriam Theater, and within three blocks of the Forrest Theatre, the Walnut Street Theatre and the Theatre at the Drake. You’ll gain hands-on experience by participating in the Polyphone Festival of New and Emerging Musicals, a nationally recognized festival held at UArts. Polyphone brings professional composers, librettists, directors, choreographers and music directors from the field to the Brind School to work with student casts and creative teams on musicals in progress.
You’ll have the opportunity to broaden your experience by joining interdisciplinary clubs and organizations. UArts hosts 30 clubs, through which students from all majors can nurture their creativity in a supportive environment. Musical Theater clubs include Coffee Cup Cabaret, Laughing Wild Theater Co. and Shadow Cast Club.

































Katie Donovan is currently the head of Musical Theater and an Assistant Professor at University of the Arts in Philadelphia, specializing in musical theatre performance and dramaturgy. She is graduate of San Diego State University’s MFA in Musical Theatre program, as well as an alumnus of Villanova University (MA in Theatre, dramaturgy focus), and The University of the Arts (BFA in Musical Theatre ‘06). As a musical theatre specialist, she has taught undergraduate students in a number of different academic settings, at Franklin and Marshall College, San Diego State University, and The University of the Arts. Supplementing her teaching with a strong scholarly background, Katie has presented papers at the Association of Theatre in Higher Education, American Literature Association, Philadelphia Theatre Research Symposium, and Music Theatre Educators Alliance conferences. Her scholarship has been published in The Eugene O'Neill Review, and the international journal, Studies in Musical Theatre. Most importantly, Katie is a very proud mother of two, wife, and aspiring triathlete.
Lucas Steele received a 2017 Tony Award nomination for the supporting role of Anatole in Natasha, Pierre & the Great Comet of 1812.
He won a Lucille Lortel Award (best featured actor in a musical) for the Off-Broadway version. Lucas also shared the stage with Alan Cumming in a 2006 revival of The Threepenny Opera at Studio 54 in New York.
I make art because there are no boundaries, unlimited discovery and endless chaos in the human spirit.
Rose Pell (she/her) is a Musical Theatre major (‘22) at The University of the Arts in Philadelphia, Pennsylvania! Before coming to UArts, She attended Yorba Linda High School in Orange County, California, studying under Cathy Petz and Rod Baghari. Previous roles include Marie in MARIE IN TOMMARROW LAND, a new musical directed by Sam Pinkleton and written by Maggie-Kate Coleman and Erato A. Kremmyda, produced the 2019 Spring Polyphone Festival at UArts! Dolly Levi in Hello, Dolly!, Logainne SchwartzandGrubenierre in The 25th Annual Putnam County Spelling Bee, Tricia in Dog Sees God, Margaret in 9 to 5 and Mrs. Van Daan in The Diary of Anne Frank. Endless love to her family, who support her every step of the way while she is pursuing her career on the east coast and studying at The University of the Arts!
Of almost two dozen nominees from UArts alone, four UArts theater professionals took home Barrymore Awards at the annual ceremony at the Bok Building. It was announced during the celebration on Monday evening, Oct. 14, that the following Brind School alumni, faculty and staff were given the highest honor for their work.
- Outstanding Leading Performance in a Play
- Brandi Burgess BFA ’12 (Acting) for Cry it Out at Simpatico Theatre
- Justin Jain BFA ’04 (Acting), and senior lecturer, for The Great Leap at InterAct Theatre Company
- Outstanding Supporting Performance in a Musical
- Brett Ashley Robinson, Pig Iron graduate and senior lecturer, for The Appointment at Lightning Rod Special
- Outstanding Costume Design
- LeVonne Lindsay, adjunct assistant professor and costume shop manager, for Gem of the Ocean at Arden Theatre Company
- Outstanding Musical Direction
- Amanda Morton, senior lecturer, for The Color Purple at Theatre Horizon
The Ira Brind School of Theater Arts includes 60 instructors, the majority of which are employed as theater professionals. Alumni often return to UArts as educators and hold central roles in Philadelphia’s theater culture.
“Brind School faculty and alumni always feature heavily, but this year is an exceptional crop,” David Howey, dean of the Brind School, says. “We are present in depth and breadth, through actors, singers, directors, writers, composers, musical directors and designers.”
The Barrymore Awards, established in 1994, are a nationally recognized symbol of excellence for professional theater in the greater Philadelphia region and are given annually by Theatre Philadelphia. This year’s winners each received a newly designed trophy—a 9-inch-high rectangular sculpture designed by Philadelphia artist Sharif Pendleton.
See the full list of award winners.
Congratulations to the almost two dozen UArts alumni, faculty and staff who are nominated for the 2019 Barrymore Awards, a nationally recognized symbol of excellence for professional theater in the greater Philadelphia region. The Barrymores are given annually by Theatre Philadelphia, an organization which nurtures local theater artists, fosters the creation of extraordinary work and forges stronger connections between Philadelphia’s art and audiences.
Awards will be announced at the 25th Annual Barrymore Awards Ceremony and Celebration on Oct. 14 at the Bok Building. The UArts nominees are:
Outstanding Direction of a Play
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Rebecca Wright (Indecent, Arden Theatre Company) - Adjunct Assistant Professor
Outstanding Leading Performance in a Play
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Brandi Burgess (Cry It Out, Simpatico Theatre) - BFA ’12 (Acting)
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Justin Jain (The Great Leap, InterAct Theatre Company) - BFA ’04 (Acting), Senior Lecturer
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Brandon Pierce (Kill Move Paradise, The Wilma Theater) - BFA ’12 (Acting)
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Leah Walton (Indecent, Arden Theatre Company) - Senior Lecturer
Outstanding Leading Performance in a Musical
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Sav Souza (Basic Witches, Hager Productions) - BFA ’18 (Musical Theater)
Outstanding Supporting Performance in a Play
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Anthony Martinez-Briggs (Kill Move Paradise, The Wilma Theater) - BFA ’13 (Acting)
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Jahzeer Terrell (Three Sisters, Two, EgoPo Classic Theater) - BFA ’15 (Acting)
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Rob Tucker (This is the Week That Is, 1812 Productions) - BFA ’04 (Musical Theater), Program Head (Musical Theater Minor), Visiting Assistant Professor
Outstanding Supporting Performance in a Musical
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Brett Ashley Robinson (The Appointment, Lightning Rod Special) - Pig Iron Graduate, Senior Lecturer
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Terran Scott (Minors, Lantern Theater Company) - BFA ’19 (Musical Theater)
Outstanding Scenic Design
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Colin Mcllvaine (Among the Dead, Theatre Exile) - Senior Lecturer
Outstanding Costume Design
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Jillian Keys (Treasure Island, Arden Theatre Company) - BFA ’11 (Theater Design and Technology)
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LeVonne Lindsay (Gem of the Ocean, Arden Theatre Company) - Costume Shop Manager, Adjunct Assistant Professor
Costume Shop Manager and Adjunct Assistant Professor, LeVonne Lindsay, was nominated for Outstanding Costume Design for ‘Gem of the Ocean’ at Arden Theatre Company.
Outstanding Original Music
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Alex Bechtel (The Appointment, Lightning Rod Special) - BFA ’08 (Musical Theater), Pig Iron Graduate, Senior Lecturer
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Larry Fowler (Hype Man: A Break Beat Play, InterAct Theatre Company) - Senior Lecturer
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Jamison Foreman (The Monster in the Hall, Inis Nua Theatre Company) - BFA ’10 (Musical Theater)
Outstanding Music Direction
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Jamison Foreman (The Monster in the Hall, Inis Nua Theatre Company) - BFA ’10 (Musical Theater)
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Amanda Morton (The Bridges of Madison County, Philadelphia Theatre Company) - Senior Lecturer
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Amanda Morton (The Color Purple, Theatre Horizon) - Senior Lecturer
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Ryan Touhey (Once, Arden Theatre Company) - BFA ’09 (Musical Theater)
Independence Foundation Award for Outstanding New Play/Musical
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Erlina Ortiz (Morir Sonyando, Passage Theatre Company) - Senior Lecturer
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Alice Yorke with Eva Steinmetz, Alex Bechtel, Scott R Sheppard, and the ensemble / Music and Lyrics - Alex Bechtel (The Appointment, Lightning Rod Special) - Pig Iron Graduates, Senior Lecturers
F. Otto Haas Award for an Emerging Philadelphia Theatre Artist
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Dan O’Neil - BFA ’10 (Musical Theater)
The Ira Brind School of Theater Arts includes 60 instructors, the majority of which are employed as theater professionals. Alumni often return to UArts as educators and hold central roles in Philadelphia’s theater culture.
“Brind School faculty and alumni always feature heavily in the Barrymore Award nominations, but this year is an exceptional crop," David Howey, dean of the Brind School, says. “We are present in depth and breadth, with actors, singers, directors, writers, composers, musical directors and designers. A special congratulations goes to Dan O’Neil for his nomination for the prestigious F. Otto Haas Award for an Emerging Philadelphia Artist.”
Above: Alum and Barrymore Nominee Terran Scott BFA '19 (Musical Theater) in the Brind School's 2018 Polyphone Festival production of 'Ancient Future'
Photo: Paola Nogueras
Kym Moore, an innovative and imaginative leader, theater-maker and scholar who continues to demonstrate the interconnected power of creative disciplines to impact and shape our reality, will join University of the Arts as dean of the Ira Brind School of Theater Arts. Moore brings a passion and conviction that inspires joy, unity and drive within the artists, makers and creatives fortunate enough to work with her. Moore’s appointment will begin in January and concludes a nine-month national search for the future leader of the Ira Brind School of Theater Arts, which began in fall 2019.
Currently, Moore serves as full professor and director of undergraduate studies in Brown
University’s Department of Theatre Arts and Performance Studies, where she has taught for
more than a decade. As an educator, theater-maker and producer, she directs, devises and
writes works that utilize the unique materials of theater to examine the multiple dimensions of human existence and seek to cultivate a “culture worth living in.” She is the co-founder/co-artistic director of the Antigravity Performance Project, which was founded in 2012 to challenge the boundaries of theatrical convention and forge new frontiers in performance-making. Moore and her collaborators recently completed their second residency at the Yale Center for Collaborative Arts and Media toward the creation of a transmedia performance installation, Do Eye Know You? which they plan to premiere in Philadelphia next season. As a director and producer, Moore has received numerous awards together with her collaborators, including the Salomon Award (Time’s Up!), the Pen and Brush Playwriting Award (The Date) and two Dorry Awards for Best Direction and Production of a Play (The Road Weeps, The Well Runs Dry).
“We set out to find a truly imaginative and future-focused leader who gets the relevance of art and creativity today, and how it can change our world,” says UArts President and CEO David Yager. “In Kym we have found that leader, and she also defies the boundaries between disciplines. She understands what creatives bring to our society and knows how we must prepare—the work we must lead—to be relevant and reflective of the world we live in. To say we are pleased to welcome Kym to UArts is a great understatement. I can say with confidence, and together with the Office of the Provost and the entire search committee, from her very first on-campus visit back in March, we all feel as though we are welcoming Kym home.”
“The thought of working collaboratively across disciplines to ‘advance human creativity’ is
beyond my wildest expectations!” says Moore. “Centering the arts as a primary contributor to the development of society has been my mission as an artist and educator from the very start. To find an institution filled with faculty, students, staff and administrators that share the mission is surely a dream come true. I’m thrilled to be coming ‘home’ to a place I didn’t know existed beyond that dream state.”
Throughout her career, Moore has taught acting and directing nationally and internationally at Swarthmore College, Hampshire College, SUNY Purchase, Sarah Lawrence College, Notre Dame University, Indiana State University, the Juilliard School, Carnegie Mellon University, the SIBIU International Theater Festival (Romania), and the Belgrade Theatre (UK), among many other organizations. Her course Acting Outside the Box: Considering Race, Class, Gender & Sexuality in Performance has also been taught nationally and internationally, including at the National Theater Institute/Eugene O’Neill Theater Center, NYU Graduate Acting, University of Oklahoma/Norman, Williamstown Theatre Festival, Columbia University and the Juilliard School. Moore is a graduate of the State University of New York New Paltz (BA) and University of Massachusetts Amherst (MFA). She is an associate member of the Society of Stage Directors and Choreographers, and a member of the Lincoln Center Directors Lab and the National Alliance of Acting Teachers.
Moore will assume leadership of University of the Arts’ theater programs, originally founded by Walter Dallas in 1983 and which became known as the Ira Brind School of Theater Arts in 2009. The school comprises four undergraduate degree programs and two graduate programs in partnership with Pig Iron Theater Company. The Ira Brind School of Theater Arts is one of seven schools at University of the Arts that span art, dance, design, film, music and theater.
Moore will succeed current Dean David Howey, who has announced his retirement after 24 years of outstanding service to University of the Arts as a faculty member, program head and dean. Moore’s appointment concludes a nine-month-long search process, charged by the Office of the Provost and led by a search committee comprising a truly interdisciplinary team of faculty and staff.
About the Curriculum
The Musical Theater Bachelor of Fine Arts degree program prepares students as artists in musical theater and for continued study in graduate school. Through collaboration with faculty mentors, students can advance their studies at the graduate level to develop teaching skills or launch their careers on the stage. Outside the classroom, students are able to explore the Philadelphia theater scene by attending performances on the Avenue of the Arts, Philadelphia’s cultural center.
Graduates of the Musical Theater BFA degree program will demonstrate all of the competencies of the Acting major and will also:
- effectively analyze song content and structure; identify dramatic conflict; and craft strong choices of objective, obstacle and tactic that serve both the needs of the script, score and artist’s individuality.
- communicate authentically, specifically and expressively within the given circumstances of a song or musical scene.
- be able to reveal both a strong sense of self and a strong sense of character in performance as the material demands.
- be able to read and learn music independently based on a solid understanding of pitch and rhythm as well as musical form, with adequate mastery at the piano for the purpose of learning music.
- demonstrate a dynamic, healthy and expressive singing voice that reveals the artist’s unique individuality, while technically meeting the nuanced needs of the material they sing.
- be able to read and learn music independently, based on a solid understanding of pitch and rhythm as well as musical form, and have adequate mastery at the piano for the purpose of learning music.
- be an articulate and expressive dancer with a technical foundation in ballet, jazz, tap and partnering; have clear understanding of the dance styles encountered in musical theater; and learn steps quickly and execute choreography in all major musical theater styles.
Sample Curriculum
Duration: four years, full time
Credits: 120 credits
Major requirements: 69 credits
Discipline history: 9 credits
Critical Studies: 33 credits
Free electives: 9 credits
Fall Semester: 15.5 credits
Ballet Dance Practice (by placement) (1.5c)
Survey of Theater Arts (3c)
Scenic & Prop Technology or Costume Technology (1c)
Acting Studio I (3c)
Music Skills I & Music Skills Lab (2c)
Musical Theater Performance: Introduction (1c)
Voice Lesson for Musical Theater (1c)
Writing I Placement (3c)
Spring Semester: 12.5 credits
Ballet Dance Practice (by placement) (1.5c)
Jazz Dance Practice (by placement) (1c)
Tap Dance Practice (by placement) (1c)
Acting Studio II (1c)
Music Skills II & Music Skills Lab (3c)
Musical Theater Performance: Foundation (1c)
Voice Lesson for Musical Theater (1c)
Writing II Placement (3c)
Fall Semester: 16.5 credits
Ballet Dance Practice (by placement) (1.5c)
Jazz Dance Practice & Tap Dance Practice (both by placement) (2c)
Crew (1c)
Acting Studio Technique I (3c)
Music Skills III & Music Skills Lab (2c)
Musical Theater Performance: Principles of Singing Acting I (1c)
Voice Lesson for Musical Theater (1c)
Language & Diction for the Singing Actor (2c)
Theater History I (3c)
Spring Semester: 17.5 Credits
Jazz Dance Practice & Tap Dance Practice (both by placement) (2.5c)
Crew (1c)
Acting Studio: Technique II (3c)
Music Skills IV & Music Skills Lab (2c)
Advanced Music Skills Lab (1c)
Musical Theater Performance: Principles of Singing Acting II (1c)
Voice Lesson for Musical Theater (1c)
Theater History II (3c)
Science course (your choice) (3c)
Fall Semester: 13 credits
Musical Theater Dance Repertory I (1c)
Acting Studio: Poetic Realism (3c)
Musical Theater Styles: Solos & Scenes I (2c)
Voice Lesson for Musical Theater (1c)
Critical Studies (your choice) (3c)
Critical Studies (your choice) (3c)
Spring Semester: 13 credits
Production Hours (1c)
Composition Instruction (1c)
Musical Theater Dance Repertory II (2c)
Musical Theater Styles: Solos & Scenes II (2c)
The Singing Instrument (1c)
Voice Lesson for Musical Theater (3c)
Critical Studies (your choice) (3c)
Critical Studies (your choice) (3c)
Fall Semester: 13 credits
Business of Theater (1c)
Musical Theater Dance Auditioning (1c)
Musical Theater Performance: Professional Prep (1c)
Voice Lesson for Musical Theater (1c)
Critical Studies (your choice) (3c)
Critical Studies (your choice) (3c)
Critical Studies (your choice) (3c)
Spring Semester: 16 credits
Production Hours (1c)
Critical Studies (your choice) (3c)
Critical Studies (your choice) (3c)
Free elective (your choice) (3c)
Free elective (your choice) (3c)
Explore the Full Curriculum
Student Spotlight
Starting your first year, you’ll have numerous performance opportunities right here in the Brind School. You’ll benefit from the city’s rich theater community, whether through master classes, internships or jobs after graduation. The city of Philadelphia provides an almost endless number of opportunities for practicing your craft in more than 100 performance venues, dozens of them within walking distance of campus. You’ll take regular trips to New York City, less than two hours away, or travel abroad to immerse yourself in the international theater scene.
Faculty Spotlight
Learn from a faculty of industry professionals who’ll prepare you to step out of the classroom and into the real world. The UArts Brind School faculty is made up of accomplished actors, directors, singing coaches and choreographers—among them, a Tony Award nominee and multiple Barrymore Award winners—many of whom coach the pros as well. You’ll have the benefit of getting a firsthand, behind-the-scenes look at working in theater while making meaningful connections with experts in the field.
Click the images below to read more.
Alumni & Careers
Brind School Musical Theater students enjoy a wide array of classes and opportunities that serve as launching points for their careers, including Business of Theater, and the option to perform in one of three showcases in New York, Los Angeles or Philadelphia. Students are able to network and collaborate with industry professionals and national and international visiting artists through the Polyphone Festival of New Musicals.
Our students have worked as interns across the Philadelphia theater scene, including but not limited to, collaborations with the Wilma Theater, the Arden Theatre Company, the Walnut Street Theatre and the Philadelphia Theatre Company.
Brind School Musical Theater alumni can be found on Broadway, in Hollywood, in London’s West End and in successful careers in every sector of the theater industry.
Click the images below to read more.
About the Brind School
The Ira Brind School of Theater Arts is committed to developing the individual artistic voice of each student. You will develop the skills and expanded point of view needed to graduate as a fearless, innovative and adaptable creator, ready to engage the medium and the world with a strong sense of yourself as a citizen artist.
The Brind School is tailored for those who want to head to Broadway and those who are intent on challenging the status quo. Our faculty includes numerous instructors, the majority of whom are current theater professionals. Additionally, alumni regularly return to UArts as educators and hold central positions in Philadelphia’s theater culture, extending your creative community far beyond campus.
We celebrate acting instruction as the focal point of training in both the Acting and Musical Theater programs, and emphasize vocal and physical training as principal support areas. Our Theater Design and Technology and Directing, Playwriting and Production programs also focus on techniques supported by extended collaborative learning opportunities in production. Opportunities abound for master classes, guest speakers, internships and apprenticeships with both nationally prominent guest artists and Philadelphia’s many professional companies.
Through its dozens of performances each year, including the annual Polyphone Festival of New and Emerging Musicals, the Brind School is both a school and a producing company. We present an annual season of work which includes projects led by students, faculty and renowned guest artists from the national and local theater scenes. Auditions are open to all Brind School students.
Venues, Learning and Practice Spaces
The Brind School is primarily located in Terra Hall at 211 S. Broad St. Spaces include seminar rooms and classrooms, as well as studios for individual voice, speech, dance, movement and acting instruction.
We also utilize five public performance venues.
- The Arts Bank Theater is a unique, state-of-the-art performance space on Philly’s famed South Street. The building houses a 230-seat main stage, a rehearsal and dance studio, and the intimate 60-seat Laurie Beechman Cabaret Theater on the first floor.
- The Ellen and Ronald Caplan Center for the Performing Arts is located on the 16th and 17th floors of Terra Hall, overlooking the Avenue of the Arts. It includes the Caplan Recital Hall, a 200-seat space equipped with a green room and dressing room space and recording equipment, and the Caplan Studio Theater, a 90-seat black box theater.
- The Elaine C. Levitt Auditorium is located in historic Gershman Hall. It houses 700 seats and is perfect for large concerts and performances.
Brind School facilities include
- six full-sized acting studios,
- five dedicated private voice studios,
- several spacious dance studios,
- one full-sized rehearsal and dance studio in the Arts Bank building as well as a cabaret-style space,
- a costume shop with state-of-the-art equipment,
- a lighting lab, and
- a fully equipped video editing studio.
Events
The Polyphone Festival of New and Emerging Musicals is a nationally recognized festival of the emerging musical held at UArts. The festival brings professional composers, librettists, directors, choreographers and music directors from the field to the Brind School to work with student casts and creative teams on musicals in progress.
The Polyphone process supports creators of new musicals with a paid opportunity to make their work, while giving over 100 students on-the-ground training in new musical theater development. We give adventurous new musicals time and space to develop, free from the pressures of commercial interests, producing theaters, or reviews.
How to Apply
Admissions Deadline: There is no set deadline. UArts operates on a rolling admissions basis, which means we will receive and process applications throughout the year as space remains available in each program.
The following materials are required for your application.
A completed application for admission.
A nonrefundable $60 application fee.
- Official transcripts from the high school(s) you have attended are required. For transfer students, transcripts from each college you have attended are required. They must be mailed directly by your school in a sealed envelope to the Office of Admissions, emailed directly from your school, or sent through a secure electronic transcript delivery service. Transcripts sent or emailed by students are not considered official. They should be sent to the Office of Admissions, University of the Arts, 320 S. Broad St., Philadelphia, PA 19102 or via email to undergradcredentials@uarts.edu.
- For transcripts from outside the U.S., refer to the instructions for international students.
- Your writing sample should address one of the following questions, interpreted as you wish. There is no right or wrong answer.
- When and how did you discover your creativity?
- How will University of the Arts help you achieve your creative and professional goals?
- How do you want your creativity to impact the future?
- Submit an existing piece of writing, such as an essay or class assignment, on any topic.
- Pay attention to grammar, spelling and punctuation. There is no required word count, but we recommend a 250-word statement, which is about one double-spaced page. You can upload your sample with your application for admission, or email it to undergradcredentials@uarts.edu.
Every student applying to the School of Dance, Music or Theater must pass an entrance audition or interview. This measures not only your creative and expressive facility, but also the level of skill you’ve acquired. You’ll be asked to select an audition or interview date when you complete your application. An application for admission must be submitted to the Office of Admissions at least two weeks before the date you request for an audition or interview. Learn more about Theater auditions and interviews.
International applicants must submit proof of English proficiency.
You can also submit SAT scores, a résumé and/or letters of recommendation. None of these materials are required. Learn more about submitting optional materials.
Apply Now
Scholarships and Financial Aid
Nearly 80% of UArts undergraduate, full-time students are eligible for some type of need-based aid. Additionally, some scholarship opportunities take need-based criteria into account.
All students who are U.S. citizens or eligible non-citizens and are enrolled in a degree program are encouraged to apply by completing the Free Application for Federal Student Aid (FAFSA).
Learn more about tuition and financial aid.
Laurie Beechman Memorial Scholarship
The Laurie Beechman Memorial Scholarship is a merit-based scholarship awarded to a junior majoring in Musical Theater. This scholarship is awarded each spring. Students are first nominated by Musical Theater faculty and then must complete an audition, essay and interview. Adjudicating faculty vote anonymously to choose the recipient.
Named Scholarships
The following named scholarships are awarded to Brind School students based on merit and/or financial need. All students are automatically considered for scholarships. No separate application is required.
- Ira Brind Scholarship
- Ira Brind Scholarship II
- Jac and Miriam Striezheff Lewis Scholarship
- Russell Harrison Jr. and Friends Scholarship
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