A new series of paintings by the UArts Painting/Drawing alumna that examines the relationship between painting and the moving image, the feminine in narrative and pop culture.
Features prints and excerpts from the Canadian photographer's personal diaries, drawn from three bodies of work taken in Afghanistan between 2006 and 2010.
In Wan's digitally printed color photographs from medium-format color film negatives, the viewer is invited to change places with the humanity at the edge of nature.